In this episode we look at the definition of what the masonic apron represents. Of the many emblems of Freemasonry, none is more iconic that the lambskin apron.
Alien outside of the lodge, under the tiled lodge it represents the totality of what it means to be a Mason. It’s said to be more noble than the Roman Eagle or the Golden Fleece, the Masonic apron is literally, the badge of a mason carried with him into the next existence.
Albert Mackey, in his Encyclopedia of Freemasonry, says of the apron:
There is no one of the symbols of Speculative Masonry more important in its teachings, or more interesting in its history, than the lambskin, or white leather apron. Commencing its lessons at an early period in the Mason’s progress, it is impressed upon his memory as the first gift which he receives, the first symbol which is explained to him, and the first tangible evidence which he possesses of his admission. Whatever may be his future advancement in the “royal art,” into whatsoever deeper arcana his devotion to the mystic institution or his thirst for knowledge may subsequently lead him, with the lambskin apron — his first investiture — he never parts. Changing, perhaps, its form and its decorations, and conveying at each step some new but still beautiful allusion, its substance is still there, and it continues to claim the honored title by which it was first made known to him, on the night of his initiation, as “the badge of a Mason.”
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Alien outside of the lodge, under the tiled lodge it represents the totality of what it means to be a Mason. It’s said to be more noble than the Roman Eagle or the Golden Fleece, the Masonic apron is literally, the badge of a mason carried with him into the next existence.
Albert Mackey, in his Encyclopedia of Freemasonry, says of the apron:
There is no one of the symbols of Speculative Masonry more important in its teachings, or more interesting in its history, than the lambskin, or white leather apron. Commencing its lessons at an early period in the Mason’s progress, it is impressed upon his memory as the first gift which he receives, the first symbol which is explained to him, and the first tangible evidence which he possesses of his admission. Whatever may be his future advancement in the “royal art,” into whatsoever deeper arcana his devotion to the mystic institution or his thirst for knowledge may subsequently lead him, with the lambskin apron — his first investiture — he never parts. Changing, perhaps, its form and its decorations, and conveying at each step some new but still beautiful allusion, its substance is still there, and it continues to claim the honored title by which it was first made known to him, on the night of his initiation, as “the badge of a Mason.”
Continue reading...
